Right Hand Technique

The current popularity of World Music, whether it be cuban, oriental or gypsy, has made western world guitarists think more and more about upgrading their right hand technique, to the ways of the true « World » vibe.

The sophisticated Up and Down stroke technique was simply unheard of by those self-taught World artists who spontaneously developped their own « economy picking » style. Like many other rock-generation guitarists, I’ve often wondered why there is such a gap between our way of playing and the old way, by a generation of guitarists born and raised on acoustic guitars, regardless of any ethnic or geographical consideration, since their peculiar « stroke » is pretty much the same, from Cuba to Corsica. Enrico Macias is a fine example of a self taught guitarist with an old fashioned stroke. The strokes simply seem so much more fluid, efficient and easy and I guess there are two reasons for this : first the influence of instruments akin to the ones we are used to playing that use this technique, such as the plectrum banjo, the mandolin and the oud, particularly the first two who in the first part of the century were considered serious rivals to the guitar way before the rock ‘n’ roll era. The second reason is because it simply comes more naturally.
These musicians never studied their instrument academically speaking and most of them never even learned to read music (and let’s face it, it’s much easier to sight read through a sheet of music using the up and down stroke technique anyway).
The guitar was always considered a « fun » instrument before ever becoming the wrist twisting instrument of torture we know. Even though there have always been guitar virtuosos, the learning part was a lot less mind bending and the metaphysical-guitarist sessions inspired by the likes of gurus such as Mick Goodrick, were yet to come. So that basically the guitar was the kind of instrument you would just pick up and play in any party situation, right then and there, on the spot, without any type of warm up or even any proper tuning involved, just 6 sturdy strings and go with it – in a club, a restaurant you name it - anywhere ! In reality a guitar was appreciated for it’s plain efficiency, straightforwardness, without the trimmings, natural. The Gambale « sweeping » method only forced us into a kind of concept that was far from revolutionary anyway.
So you might just want to test a new approach on this Latino exercise you’ll find below, without following any particular indication on the up and down strokes to begin with, then by comparing notes with mine. Once you think you have it right just go have a look at what you’re actually doing with your right hand by playing in front of a mirror : if you think you’re actually seeing some ol’geezer playing instead of your usual self, then you’ll know you’ve got it for sure !


The pick is just a thing-gummy that comes between you and your instrument, and everybody has his own personal way of dealing with it. Some of us think it’s really the most un-natural and annoying thing ever invented, like Jeff Beck who finally decided to just give it up entirely. But for others it’s become part of their style ! Would Django ever have become Django without his typical up and down pick strokes ? Hey does a bear « s..t » in the woods ? After listening tell me what you think !

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Studio 124
124 Quai Louis Blériot
75016 Paris - France
phone : +33 614 629 810
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Studio 124 Publishing
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phone : +33 147 580 681
e-mail : emdf@noos.fr


Studio 124
124 Quai Louis Blériot, 75016 Paris - France
phone : +33 614 629 810, e-mail : studio124paris@gmail.com
Studio 124 Publishing
Danièle or Véronique, phone : +33 147 580 681, e-mail : emdf@noos.fr
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