Cuban Guitars III

The Buena Vista Social Club's success, soundtrack of Wim Wenders latest feature film, is mainly due to the unusual combination of two talented artists : Ry Cooder (musician-talent scout-promoter) and a 90 year-old Cuban guitarist/singer/performer, Compay Segundo. The title track "Chan Chan", based on a traditional vocal/guitar interplay performance, has made it possible for guitarists worldwide to learn more about Cuba's musical traditions.

Our stay in Cuba has almost reached an end. The solo parts still linger in our heads, as easily remembered as a vocal melody. But these solos interest us for more reasons than one. Their form of expression is totally lyrical, melodic, even though they are entirely improvised and not technically over-sophisticated. They also tell you how a latin rhythm works, the anticipation mechanism of the groove, with a touch of jazz all the while preserving its authentic qualities. You can really feel how much jazz is part of the island's culture, a part of the style, as strong as the Spanish harmonic heritage.

Here's the last pattern of rhythms you can use for your demos or practice tracks to play your own "cuban" impros. If you have a sequencer, you can easily put together a shaker, bongo and cowbell loop. The rhythm of the latter will give you that Carribean flavour, where cultures are so mingled, in this case with a zest of reggae, Yeh, Man ! The rhythms have interconnected in such a fashion, from Louisiana to the shores of Venezuela, giving birth to the sophisticated rhythms of the Carribean, along with their incomparable melodic and harmonic styles. The second guitar completes the first, but not played in an anticipated fashion, on the contrary, more like a cabassa or a bongo beat, in between beats.

Music connoisseurs will certainly find this first part of the millenium full of musical diversity. Each "tribe" bears his own musical style, from Techno to Rap, even the World Music outsiders whose stars have long since migrated from the "folklore" record store shelves to the "regular" ones. And so, the Compay Segundo CDs can now be found right by the Celine Dion and George Michael hits of this world. An incredible fate for this guitarist who lived through the entire century, freed from the US blockade thanks to an American guitarist, who became interested in a music that survives solely on the will of it's performers. The success of this recording, thanks to Ry Cooder and Compay Segundo, reminds us that there is an alternative (or an addition) to the pleasures you may find in a "do it yourself" track such as modern technology has given us the opportunity to create : two guitars and a voice is such a simple combination that one tends to forget it entirely.

Contact Us

Studio 124
124 Quai Louis Blériot
75016 Paris - France
phone : +33 614 629 810
e-mail : studio124paris@gmail.com
Studio 124 Publishing
Danièle or Véronique
phone : +33 147 580 681
e-mail : emdf@noos.fr

Contact

Studio 124
124 Quai Louis Blériot, 75016 Paris - France
phone : +33 614 629 810, e-mail : studio124paris@gmail.com
Studio 124 Publishing
Danièle or Véronique, phone : +33 147 580 681, e-mail : emdf@noos.fr
© Claude Samard Polikar - 2017 - All Rights Reserved